Moorpark College Music Department
Division of Performing Arts & Student Life
Patricia Ewins, Dean
PA-140, 805-378-1408, PEwins@vcccd.edu
Department of Music & Dance
Dolly E. Kessner, Chair
MUS-142, 805-378-1400 ext. 1691, DKessner@vcccd.edu

The Moorpark
College Music Department offers a wide variety of classes designed for both the
aspiring professional musician who wishes to continue at the university level,
and the amateur eager to be skilled in music and to understand and appreciate
its value in today's society. The two-year music major program consists of the
fundamental lower division music courses that will transfer to a four-year
college or university. Many of our students have moved on to our local
universities (
LIST OF
CONTENTS
Music Faculty - Full Time, Adjunct, Applied
Applied Music Program (summary)
PERFORMING ARTS CENTER SCHEDULE
OF EVENTS
Music Department Degree Pattern
RELATED
PAGES
Applied Music
Program (detail)
![]()
Orbie Ingersoll,
Professor (Founding Faculty, 1967)
B.A. in Trumpet Performance, California State University Northridge
M.A. in Conducting, University of California, Santa Barbara
Office: M-140
Phone: 805-378-1400 ext. 1692
Email: OIngersoll@vcccd.edu
Classes: Fundamentals of Music, Aural Skills I, Music Appreciation
Vail Keck, Instructor, Director of Choral Activities
B.M. in Music, University of California, Santa Cruz
M.M. in Choral Conducting, University of California, Santa Cruz
A.B.D. in Choral Conducting, University of Oklahoma
Office: M-120
Phone: 805-378-1400 ext. 1606
Email: VKeck@vcccd.edu
Classes: Concert Choir, Vocal Ensemble, Vocal Techniques I, Music
Appreciation, Fundamentals of Music
Dolly E. Kessner, Professor,
Chair of Music & Dance Department, Head of Music Theory/Composition/Aural
Skills Area, Director of Chamber Ensembles, Coordinator of Music Learning
Computer Center, Co-Coordinator of Applied Music
B.A., Music Education, University of California, Los Angeles
M.A., Composition, University of California, Los Angeles
Ph.D., Music Theory, University of Southern California
Office: M142
Phone: 805-378-1400 ext. 1691
Email: DKessner@vcccd.edu
Classes: Diatonic Harmony, Chromatic Harmony, Musical Analysis,
Counterpoint, Aural Skills II - IV, Chamber Ensembles
James J. Song, Professor, Head of Instrumental Music Area,
Conductor of Moorpark College Symphony Orchestra
B.M., Music Education, University of Colorado, Boulder
M.M., Instrumental Conducting, University of Colorado, Boulder
Office: M124
Phone: 805-378-1495
Email: JSong@vcccd.edu
Classes: Orchestra, Music History, Music Appreciation, Fundamentals of Music
James Stemen, Professor Emeritus, Past
Chair of Music/Dance Department, Head of Choral Music
B.A., Music Education, Goshen College
M.M. in Music Education, M.S.M. in Choral Conducting, Southern Methodist
University
Email:choraljim@sbcglobal.net
Joan Thompson, Professor, Head of Piano Area, Director of Piano
Ensemble, Co-Coordinator of Applied Music
B.A., Piano Performance,
M.A., Piano Performance,
Office: M134
Phone: 805-378-1400 ext. 1688
Email: JThompson@vcccd.edu
Classes: Class Piano, Fundamentals of Music, Music Appreciation, World
Music, Piano Ensemble, Repertoire Class
Robert Aguilar, B.A.,
Jazz A Ensemble
Marilyn Anderson, B.A. and M.A. in Vocal Performance,
Opera Theatre, Class and Applied Voice
Melinda Bateman, Class Piano
Steve Burch, Studio Jazz Band
Jordan Charnofsky, Class Guitar
He-Lyun Chung, Artist Diploma, Hochschule fur Musik/Hochschule der Kunste,
Class and Applied Piano
Amy R. Corin, B.A. World Arts and Cultures,
Music
Appreciation, Fundamentals of Music, Aural Skills I
Mona DeCesare, B.A. and M.F.A., Piano
Performance,
Class and Applied Piano, Music Appreciation
Edward Demmond, B.M., Music Education,
George Peabody College for Teachers; M.M., Horn Performance, University of
Northern Colorado; M.M. and Ph.D., Music Theory, University of Wisconsin,
Madison
Music Appreciation, Music Fundamentals, Diatonic Harmony
Suzanne Julian, B.A. and M.A., Piano Performance,
Class Piano, Music Appreciation
Richard Kravchak, B.M, Performance, Eastman
School of Music; M.M., Performance, Julliard School of Music, D.M.A.,
Performance, Florida State University
Wind Ensemble, Applied Oboe, Bassoon, and Classical Saxophone
Anthony Wardzinski, Moorpark College music
major; B.M., Composition, California State University, Northridge; M.M.,
Composition, California State University, Northridge
Diatonic Harmony/ Aural Skills I, Chromatic Harmony/Aural Skills II,
Fundamentals of Music
APPLIED MUSIC FACULTY (active)
Marilyn Anderson, Voice (see Adjunct Faculty)
William Benson, Contrabass, B.S., Music Education, Ball State
University,
Mr. Benson has twenty years experience conducting and performing. Currently he
is the Artistic Director/Conductor of the Conejo
Valley Youth Orchestra. He has done graduate work in conducting at
Nancy Bonds, Clarinet, B.M., Clarinet Performance, University
of Western Ontario; M.M., Clarinet Performance, University of Michigan; D.M.A.,
Clarinet Performance, Arizona State University
Dr. Bonds has performed professionally with various orchestral and chamber
groups including the St. Louis Symphony Orchestra and Missouri Ballet. Her
teaching experience includes faculty positions at the
Ronald Borczon, Classical Guitar,
B.M., Guitar Performance and Music Therapy, Florida State University; M.M.,
Guitar Performance, University of Southwestern Louisiana
Professor Borczon is Professor of Music Therapy and
Guitar at California State University, Northridge, and has a private studio in
Moorpark. He is an alumnus of the Aspen Music Festival, actively performs
nationally, and has two compact discs with Centaur Records.
Bonnie Boss, Percussion, B.A., Music, M.B.A., Arts and
Orchestra Management,
Ms. Boss has been very active in both solo and ensemble performance including
15 years of concert tours with Roger Williams as a member of his quintet. She
has also performed with Inland Empire Symphony Orchestra, Santa Barbara
Symphony Orchestra, and numerous others. Ms. Boss is principal
Percussionist with the Conejo Symphony Orchestra.
Jordan Charnofsky, Guitar,
B.M, Music,
He-Lyun Chung, Piano (see Adjunct
Faculty)
Ms. Chung has appeared as soloist and chamber musician in Europe,
Stephen Custer, Violoncello (information not yet available)
Dr. Custer is currently and has been a member for several years with the Los
Angeles Philharmonic.
Mona DeCesare, Piano (see Adjunct
Faculty)
Ms. DeCesare is also Adjunct professor at
Edward A. Francis, Piano, B.A. and M.A. in Piano Performance,
Mr. Francis is adjunct faculty at
Diane E. Gilbert, Viola/Violin, B.M., Viola Performance,
University of the Pacific; M.M., Viola Performance, California State
University, Northridge
Ms. Gilbert has eleven years private teaching. She was a strings teacher at
Richard Kravchak, Oboe/Bassoon/Classical
Saxophone (see Adjunct Faculty)
Dr. Kravchak is an active concert artist. He is
Assistant Professor of Music Education at
Carol Dvoran Lancaster, Piano, B.M.,
Piano Performance, Mount St. Mary's College, Los Angeles; State of California
Standard Teaching Credential with a Specialization in Elementary Teaching
Teaching experience includes ten years with Los Angeles Unified School District
and Pasadena City College. She maintains a private piano studio in
Roger Mason, Trumpet
John Paton, Voice, B.M., Voice,
Cincinnati Conservatory of Music; M.M., Music Literature, Eastman School of
Music
Professor Paton is Emeritus Professor,
![]()
An applied music program is a key ingredient in any college or university music major curriculum. It is the vehicle where the student learns the skills, techniques and repertoire necessary for success as a performer. Students interested in the Applied Music Program need to audition to be considered for acceptance. If the student is accepted, he or she will receive 15 one-hour state-paid lessons for the semester. The student will perform at a music jury at the end of the semester, and may remain on the program up to a maximum of four semesters. In addition to enrolling in Mus 30 (1 unit) which is the weekly applied lesson and daily practice on campus, the student must also be enrolled concurrently in the following music classes:
Music Theory/Aural Skills class (Mus 2A/AL, 2B/BL, 2C/CL, or 2D/DL - 3 units/2 units)
Repertoire Class (Mus 29 - 1 unit)
Performance Ensemble (according to the student's applied music specialization -
2 units)
Audition to the program is scheduled during the first week of class and sometimes at the end of the semester. For more information see Applied Music (detail). Contact Dr. Kessner at 805-378-1400 ext. 1691, email DKessner@vcccd.edu or Professor Joan Thompson at 805-378-1400 ext. 1688, email JThompson@vcccd.edu
![]()
Performance ensembles are another vital element of a good music program. At
Mus 10 - Concert Choir-Vail Keck, Director
Concert choir meets twice each week from 11:30 am to 1:20 pm on Tuesday
and Thursday. Beginning Spring 2008, the class time will be 2:00 pm to 3:50 pm
on Tuesday and Thursday. Activities include performances in public concerts and
college festivals with a variety of repertoire from folk, jazz and classical
styles.
Mus 12-Vocal Ensemble-Vail Keck, Director
Vocal Ensemble meets on Monday afternoons from 3:00 pm to 5:50 pm with 1 hour
to be arranged. The class meeting time will change in Spring
2008 to Monday and Wednesday from 3:00 pm to 4:50 pm. Auditions are required.
Mus 15 -
Orchestra meets on Thursday evening from 6:00 pm to 9:50 pm. This ensemble has many performance
opportunities including public concerts, clinics/workshops and festivals.
Musicians rehearse and perform original orchestra literature. Auditions may be
required. www.moorparkcollege.edu/symphony
.
Mus 16 - Opera Theatre - Marilyn
Anderson, Director
Opera Theatre presents fully staged productions of opera and operetta twice
yearly. Auditions for principal roles are required.
Mus 17 - Summer Music Theatre -
Marilyn Anderson, Director
Summer Music Theatre presents complete productions from the Broadway stage.
Auditions for principal roles are required.
Mus 18 - Jazz Ensemble - Steve
Burch, Director
Everyone is invited to join the Studio Jazz Band which meets on Wednesday
evening, 6:00 pm to 9:50 pm as a workshop and performance group. No auditions
required.
Mus 60K, Mus
60J-Intermediate & Advanced Jazz Performance - Robert Aguilar, Director
This is the Jazz A Ensemble which meets each Monday evening from 6:00 pm to
9:50 pm. Jazz literature ranges from early blues to modern fusion and funk.
This group performs many times throughout the year. Auditions are required
Mus 19 - Chamber Ensembles - Dolly
E. Kessner, Director
Meeting each Tuesday and Thursday afternoon from 2:00 pm to 3:20 pm (with
one hour to be arranged), the Chamber Ensembles allows students to learn and
perform music written for a variety of small classical chamber groups. The
advanced groups perform in two concerts in the
Mus 20 - Piano Ensemble - Joan
Thompson, Director
Meets twice weekly, Tuesday and Thursday from 11:30 am to 1:20 pm. The time
changes Spring 2008 to meet from 11:00 am to 12:50 pm.
This ensemble class allows students to perform in piano duets and duos.
Literature is carefully chosen to meet the needs of each piano student.
In-class performances take place several times throughout the semester.
Mus 21 - Wind Ensemble - Richard Kravchak, Director
Wind Ensemble meets on Wednesday evening from 6:00 pm to 9:50 pm. Repertoire
includes original wind ensemble literature and transcriptions of orchestral
literature. The ensemble has several performance opportunities throughout the
year. Auditions may be required.
![]()
MUSIC DEPARTMENT DEGREE PATTERN
Required Courses to receive the Associate of Arts Degree in Music:
|
Course No. |
Title |
Units |
|
Mus 2A |
Diatonic Harmony |
3 |
|
Mus 2AL |
Aural Skills I |
2 |
|
Mus 2B |
Chromatic Harmony |
3 |
|
Mus 2BL |
Aural Skills II |
2 |
|
Mus 2C |
Musical Analysis |
3 |
|
Mus 2CL |
Aural Skills III |
2 |
|
Mus 2D |
Counterpoint |
3 |
|
Mus 2DL |
Aural Skills IV |
2 |
|
Mus 25 C/D |
Class Piano |
2-2 |
|
Mus 29 |
Repertoire |
1-1 |
|
Mus 30 |
Applied Music |
1-1 |
|
Mus ___ |
Performance ensemble (Choose according to specialization. Each performance class may be repeated) |
8 |
|
Mus ___ |
Music course elective (Choose according to specialization) |
2 |
|
|
Total minimum units required: |
38 |
Performance ensemble and elective courses to be chosen according to
specialization:
Instrumental Music Specialization
Choose one (1) ensemble class each semester for a total of 8 units:
|
Mus 15 |
Moorpark Community Orchestra |
2 |
|
Mus 18 |
Jazz Ensemble |
2 |
|
Mus 19 |
Chamber Ensembles |
2 |
|
Mus 21 |
Wind Ensemble |
2 |
Music course elective:
|
Mus 14 |
Fundamentals of Instrumental Technique |
2 |
|
Mus 25 A/B |
Class Piano |
2-2 |
Keyboard Music Specialization
Choose one (1) ensemble class each semester for a total of 8 units:
|
Mus 19 |
Chamber Ensembles |
2 |
|
Mus 20 |
Piano Ensemble |
2 |
Music course elective:
|
Mus 25 A/B |
Class Piano |
2-2 |
Music Theory & Composition Specialization
Choose one (1) ensemble class each semester for a total of 8 units. Choose an ensemble according to your instrumental and/or vocal specialization.
Music course elective:
|
Mus 14 |
Fundamentals of Instrumental Technique |
2 |
|
Mus 25 A/B |
Class Piano |
2-2 |
Vocal Music Specialization
Choose one (1) ensemble class each semester for a total of 8 units:
|
Mus 10 |
Concert Choir |
2 |
|
Mus 16 |
Opera Theatre |
2 |
|
Mus 17 |
Summer Music Theatre |
2 |
|
Mus 60D |
Los Robles Master Chorale |
2 |
Music course elective:
|
Mus 13A/B |
Fundamentals of Vocal Technique |
2-2 |
|
Mus 13C/D |
Advanced Vocal Technique |
2-2 |
|
Mus 25 A/B |
Class Piano |
2-2 |
![]()
Music Department Web Page designed and edited by Dr. Dolly E. Kessner, DKessner@vcccd.edu